Archive for the 'Politics' Category

30
Oct
10

Sanford Breaks Down the Racist Traffic Court Injustice System

27
Oct
10

Drive-By Truckers – The Three Great Alabama Icons

Paul "Bear" Bryant

George Wallace

Ronnie Van Zant

03
Sep
10

The Last Poets, the Black Panthers, and the FBI

Niggers always goin’ through bullshit change
But when it comes for real change,
Niggers are scared of revolution

~ Niggers are Scared of Revolution“, The Last Poets

The following is from this Guardian article:

After the Party: Music and the Black Panthers

One day last December, Umar Bin Hassan of the Last Poets attended a gathering in Chicago to commemorate local Black Panther Party leader Fred Hampton, who was shot dead by the police 40 years earlier. There were about 30 people, including the widows of Hampton and fellow Panther Eldridge Cleaver, and former members of radical groups such as Weatherman. “We laughed and drank wine and talked about what we all had been through,” Hassan says. “I’m glad I made it. It was good to see a lot of those people still living, you know?”

They were survivors of a turbulent period. In 1968, just two years after Oakland residents Huey Newton and Bobby Seale formed the Black Panthers, FBI director J Edgar Hoover called the party “the greatest threat to the internal security of the country” and set about spending millions of dollars to infiltrate, sabotage and divide it. By the mid 70s, it was in terminal decline, and Hampton was far from the only fatality.

The Panthers’ legacy has been fiercely debated ever since. Some people claim the leadership, especially Newton, were their own worst enemies: paranoid hotheads prone to violence and cronyism. Others regard them as heroes who gave young African-Americans power and pride in the face of endemic racism, only to be brought down by Hoover’s machinations. A new project, Tongues on Fire, aims to accentuate the positive, bringing together the party’s official artist and minister of culture, Emory Douglas, with musicians such as the Last Poets, the Roots and jazz saxophonist David Murray.

When Newton and Seale were preparing the first edition of the newspaper in 1966, they listened obsessively to “brother Bobby” Dylan’s Highway 61 Revisited, especially Ballad of a Thin Man, which Newton read, rather fancifully, as a parable of racist oppression. At this point, black artists were still using code words such as “respect” and “pushing” when dealing with the subject of race. Even after blackness entered pop’s lexicon via James Brown’s Say It Loud – I’m Black and I’m Proud, Newton and Seale’s rhetoric, and Douglas’s artwork, only found their musical analogue with the arrival of the Last Poets.

Formed in Harlem in 1968, the Last Poets lost most of their founding members before they even recorded their debut album. The classic lineup on the Poets’ eponymous 1970 release consisted of Abiodun Oyewole, Jalal Mansur Nuriddin and Umar Bin Hassan. In his hometown of Akron, Ohio, Hassan had been an angry young man looking for direction when he saw the Panthers’ first televised action: their armed entrance into the California legislature in May 1967.

“Woah,” he remembers. “I was so excited to see some young black men do that. The Panthers were my first introduction to black militancy. About two months later I saw Huey Newton on the news, standing on the fenders of two cars and throwing down his fists at these white cops. I thought the revolution was going to begin and end in California. I ain’t never been in a gang, but if I was going to be in a gang I wanted to be in a gang that stood up and defended the black community from racist cops.”

Nobody had ever heard anything like the Last Poets. They combined the militant spirit of avant-garde jazz musicians such as Archie Shepp with the furious poetry of Amiri Baraka, who called for “poems that kill: assassin poems”. Their rage was aimed at both white America (“the Statue of Liberty is a prostitute”) and apathetic, unrevolutionary black people. Controversially, they called these people “niggers”.

“The Last Poets out-niggered everybody,” Hassan says with a throaty chuckle. “We had Wake Up Niggers, Niggers Are Scared of Revolution … Our thing was not to use that word as casually as the kids today. You got young kids who think it’s OK to be a nigger. Nah, it ain’t OK. We were trying to get rid of the nigger in our community and in ourselves. The difference between us and hip-hop is we had direction, we had a movement, we had people who kept our eyes on the prize. We weren’t just bullshitting and jiving.”

Despite zero airplay, the response to the album from those who heard it was “overwhelming” and the Panthers saw a fantastic recruitment opportunity in the Poets. “Everybody knew how much the people liked us and everybody wanted us to become a part of their thing,” says Hassan. “But we kept ourselves independent.” They did not need to be card-carrying members in order to be useful. “Music to [the Panthers] was something to get people’s attention so they could speak,” says David Murray, who was a teenager at the time. “Like a trumpet sounds and then there’s a speech.”

Very soon the party had a soundtrack, with such radical poets as the Watts Prophets, Nikki Giovanni and Gil Scott-Heron emerging almost simultaneously (although Scott-Heron was sceptical about “would-be revolutionaries” with “afros, handshakes and dashikis” in his song Brother). Sympathetic rock stars such as Santana and the Grateful Dead played fundraisers.

In 1970, the year the Last Poets began their album with the ominous phrase “time is running out”, it seemed to many US radicals, black and white alike, that revolution was imminent. But within a couple of years, the Black Panther Party was in disarray, largely thanks to the dirty tricks of the FBI. “Those who have the power always have the time and resources to get together,” Hassan says. “They took their blows for a minute but then they realised, ‘We gotta come back at this.’”

The agency fomented civil war between Newton and Cleaver, with bloody consequences. Douglas, who was regularly tailed by FBI agents, remembers seeing his artwork imitated on a forged pamphlet attacking another black organisation. “They tried to destroy and discredit the Black Panther Party by any means necessary,” he says. “We knew what was going on but you couldn’t put your finger on it.” The Watts Writers Workshop, the base of the Watts Prophets, was burned to the ground by a trusted employee who, it transpired, was an FBI plant. The Last Poets were constantly monitored, as Hassan discovered years later when he saw his FBI files. “We were on President Nixon’s list, the defence department list, the national security list. It kind of blew my mind.”

Not all the blame, however, can be laid at the government’s door. The Huey Newton who emerged from jail to retake the party leadership in late 1970 was a troubled, paranoid character who acquired a taste for cocaine and groupies and soon fell out with Cleaver. “Bobby Seale was the brains,” says David Murray. “Huey Newton was an action person. He would just go and do it. That might also be why he’s not alive [Newton was shot by a crack dealer in 1989].”

“We all thought we were moving towards bringing about something new, something good, for America – not just for black people, but for all people,” Hassan says. “But when you started seeing one brother go one way and another brother snitching, a lot of us went back on to the streets doing what we were doing before, selling drugs or hustling, because we were disappointed.” Hassan himself left the Last Poets in 1974 and became a cocaine addict, giving poetry readings in crackhouses. “Yeah man, there was a lot of disappointment.”

Asked about the Panthers’ balance sheet, Emory Douglas draws a long sigh. “I would say we did the best we could under the circumstances. You have to understand that never in the history of the country had any organisation stood up to the challenges in the way we did and at such a young age.” David Murray thinks the party has to be seen in context. “This was a time when California was changing the world. I was a hippie, I was a Black Panther, I was in the Nation of Islam. That was how you grew up during that time – you had to dabble in each one.”

27
Aug
10

The Weed Killers: Why Marijuana Had to Go

The following is excerpted from this  article written by Doug Yurchey:

The Marijuana Conspiracy:

The Reason Hemp is Illegal

They say marijuana is dangerous. Pot is not harmful to the human body or mind. Marijuana does not pose a threat to the general public. Marijuana is very much a danger to the oil companies, alcohol, tobacco industries and a large number of chemical corporations. Big businesses, with plenty of dollars and influence, have suppressed the truth from the people. The truth is, if marijuana was utilized for its vast array of commercial products, it would create an industrial atomic bomb!

1) All schoolbooks were made from hemp or flax paper until the 1880s. (Jack Frazier. Hemp Paper Reconsidered. 1974.)

2) It was legal to pay taxes with hemp in America from 1631 until the early 1800s. (LA Times. Aug. 12, 1981.)

3) Refusing to grow hemp in America during the 17th and 18th centuries was against the law! You could be jailed in Virginia for refusing to grow hemp from 1763 to 1769 (G. M. Herdon. Hemp in Colonial Virginia).

4) George Washington, Thomas Jefferson and other founding fathers grew hemp. (Washington and Jefferson Diaries. Jefferson smuggled hemp seeds from China to France then to America.)

5) Benjamin Franklin owned one of the first paper mills in America, and it processed hemp. Also, the War of 1812 was fought over hemp. Napoleon wanted to cut off Moscow’s export to England. (Jack Herer. Emperor Wears No Clothes.)

6) For thousands of years, 90% of all ships’ sails and rope were made from hemp. The word ‘canvas’ is Dutch for cannabis. (Webster’s New World Dictionary.)

7) 80% of all textiles, fabrics, clothes, linen, drapes, bed sheets, etc., were made from hemp until the 1820s, with the introduction of the cotton gin.

8)The first Bibles, maps, charts, Betsy Ross’s flag, the first drafts of the Declaration of Independence and the Constitution were made from hemp. (U.S. Government Archives.)

9) The first crop grown in many states was hemp. 1850 was a peak year for Kentucky producing 40,000 tons. Hemp was the largest cash crop until the 20th century. (State Archives.)

10) Oldest known records of hemp farming go back 5000 years in China, although hemp industrialization probably goes back to ancient Egypt.

11) Rembrandt’s, Van Gogh’s, Gainsborough’s, as well as most early canvas paintings, were principally painted on hemp linen.

12) In 1916, the U.S. Government predicted that by the 1940s all paper would come from hemp and that no more trees need to be cut down. Government studies report that 1 acre of hemp equals 4.1 acres of trees. Plans were in the works to implement such programs. (U.S. Department of Agriculture Archives.)

13) Quality paints and varnishes were made from hemp seed oil until 1937. 58,000 tons of hemp seeds were used in America for paint products in 1935. (Sherman Williams Paint Co. testimony before the U.S.Congress against the 1937 Marijuana Tax Act.)

14) Henry Ford’s first Model-T was built to run on hemp gasoline and the car itself was constructed from hemp! On his large estate, Ford was photographed among his hemp fields. The car, ‘grown from the soil,’ had hemp plastic panels whose impact strength was 10 times stronger than steel. (Popular Mechanics, 1941.)

15) In 1938, hemp was called ‘Billion-Dollar Crop.’ It was the first time a cash crop had a business potential to exceed a billion dollars. (Popular Mechanics, Feb. 1938.)

16) Mechanical Engineering Magazine (Feb. 1938) published an article entitled ‘The Most Profitable and Desirable Crop that Can be Grown.’ It stated that if hemp was cultivated using 20th century technology, it would be the single largest agricultural crop in the U.S. and the rest of the world.

THE CONSPIRACY

William Randolph Hearst (Citizen Kane) and the Hearst Paper Manufacturing Division of Kimberly Clark owned vast acreage of timberlands. The Hearst Company supplied most paper products. Patty Hearst’s grandfather, a destroyer of nature for his own personal profit, stood to lose billions because of hemp.

In 1937, DuPont patented the processes to make plastics from oil and coal. DuPont’s Annual Report urged stockholders to invest in its new petrochemical division. Synthetics such as plastics, cellophane, celluloid, methanol, nylon, rayon, Dacron, etc., could now be made from oil. Natural hemp industrialization would have ruined over 80% of DuPont’s business.

Andrew Mellon became Hoover’s Secretary of the Treasury and DuPont’s primary investor. He appointed his future nephew-in-law, Harry J.Anslinger, to head the Federal Bureau of Narcotics and Dangerous Drugs.

Secret meetings were held by these financial tycoons. Hemp was declared dangerous and a threat to their billion-dollar enterprises. For their dynasties to remain intact, hemp had to go. These men took an obscure Mexican slang word: ‘marijuana’ and pushed it into the consciousness of America.

MEDIA MANIPULATION

A media blitz of ‘yellow journalism’ raged in the late 1920s and 1930s. Hearst’s newspapers ran stories emphasizing the horrors of marijuana. The menace of marijuana made headlines. Readers learned that it was responsible for everything from car accidents to loose morality.

Films like Reefer Madness (1936), Marijuana: Assassin of Youth (1935) and Marijuana: The Devil’s Weed (1936) were propaganda designed by these industrialists to create an enemy. Their purpose was to gain public support so that anti-marijuana laws could be passed.

Read the rest of the article here.

31
Jul
10

Trotsky Was A Black Man…Step!

Lev Davidovich Bronstein (a.k.a. Leon Trotsky) and his adorable high-yaller child Nina (beautiful looks and kink-kontrol courtesy of Bronner Bros. Extra-Strength No-Lye Hair Relaxer)

28
Jun
10

Senator Robert C. Byrd’s Greatest Hits (R.I.P. 6/28/2010)

I shall never fight in the armed forces with a Negro by my side… Rather I should die a thousand times, and see Old Glory trampled in the dirt never to rise again, than to see this beloved land of ours become degraded by race mongrels, a throwback to the blackest specimen from the wilds.

~ Byrd’s 1944 note to to Sen. Theodore Bilbo of Mississippi, about the move to integrate the armed services.

27
Jun
10

Get Well Soon…Dick!

The 69-year-old Republican, who has had five heart attacks in 32 years, was said to be suffering “discomfort” and was taken to hospital for further testing.

A statement issued by his office said: “Former vice president Cheney was not feeling well and was seen this afternoon by his doctors in their offices at George Washington University. “On the advice of his physicians, he was admitted to the hospital for further testing. “He is expected to remain in the hospital over the weekend.”

He suffered his fifth heart attack in February and has undergone quadruple bypass surgery and two artery-clearing angioplasties. He has also twice been treated with electrical shocks for atrial fibrillation, an abnormal heart rhythm that places him at risk of a stroke if not treated. (Source)




Johnny Peepers

----> is a socio-pathetic degenerate with a penchant for cheap booze, ruphy-laden broads, and dim sum soup.

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